Lady Chatterley’s Lover
If I was being pushed to choose which is my favorite book, this would be it.
Grossly misunderstood–a joke–“dirty.”
The sex in the book is used as a language. It’s the language of the best anti-war, anti-establishment book ever written. The book 1984 by George Orwell comes second.
The interesting part is that the book has stayed the same while I grew up and matured. I read it when I was 18, a dreamy adolescent. There were parts of it that I could not have truly understood until much later, when I’d gained some knowledge of Lawrence’s life. At that time, first discovering sex, I saw it mainly as a love story, taking place on a different continent. However, I may be selling myself short. I could tell, even then, that this was real literature, the best there was.
Constance is married to Clifford who had been dreadfully maimed in WWI, confined to a wheelchair. The couple move to Clifford’s ancestral home in the English mid-lands. The estate is huge; on part of it is a small “wood” or what we call a forest. Pressures mount up within Constance and she flees the soulless house to this place where Robin Hood rode and still contained a wildness, where modern society hadn’t taken hold. It’s there that she meets Mellors, the game-keeper, having returned from India where he was an officer in the British army. What they discover together is the gradual breaking-away of society’s strictures; both being married to other people is another problem that must be resolved. The other characters in the book are real and stand for what England meant to the author.
This was Lawrence’s final novel, having been finished shortly before he died of tuberculosis. It is the only novel in which a female character is pregnant at the end. In the voluminous literary criticisms I’ve read of this book, most are male and scornful, mostly of the fact that Clifford in the wheelchair and impotent are “cheap shots.” It’s too easy, it belittles Constance who appears to just need to be fucked. You have to know a lot about English society and Lawrence’s passions–and the passions of the characters– to understand the meaning of that wheelchair.