Making Aliya: Stories From My Father’s Side
Seeing The Pieta
A Memoir
By
Steppenwolf
When I was 13 years old, the World’s Fair was held in New York City. My grandparents decided that they wanted to take me, the eldest grandchild, to New York where we would see the World’s Fair and visit relatives.
I had been reading all about this cherished and revered piece of sculpture, the Pieta, being shipped over from Italy so that people could see it. I read in Time Magazine how these workmen packed it and sent it by boat to the United States. I didn’t know the real meaning of this sculpture; I had a vague idea, though. I knew the name meant “pity” and it was quite important in the Christian faith. I knew it was an artist’s rendering of a mother, the Blessed Mother, holding her dead son, Jesus.
I wanted to see it and my grandfather, being an Orthodox Jew, wouldn’t let me. I remember the scene vividly; my grandmother staying out of the struggle, me standing toe to toe with my grandfather, demanding to be let in. My grandfather was uncomfortable. I explained to him that this was a major work of art, priceless, and I maybe would never get a chance to see it again. Finally he agreed to a compromise.
I must take time and explain this scene clearly. It will always stay in my mind, and sorry for using a cliché, but it is just as if it happened yesterday.
The sculpture sat in the middle of a circular room; the room was in total darkness except for a blue spotlight centered on the Pieta. What a lovely blue it was, too. Instead of walking around to look at the sculpture, people came and stepped onto a wide, moving panel. It moved very slowly in a circle so that you could get a full view of this precious object.
My grandfather gave in—rare, for him—after finding out that I was quite serious about this. He would let me see the Pieta only if he escorted me into the pavilion and stood right next to me. All was quiet as we moved through the darkness, examining the Pieta. Nobody said anything. There were mobs of people milling around outside the pavilion but once in the moving, thick darkness it seemed rude to talk. Even little children stood on the moving apparatus and stared. I don’t know if my grandfather enjoyed seeing the sculpture and didn’t talk about it, or he felt that he had to stay with me because I was only 13. But if it were not for my grandfather I would never have seen the Pieta.